Berglind Rögnvaldsdóttir
Berglind Rögnvaldsdóttir
Berglind Rögnvaldsdóttir
Berglind Rögnvaldsdóttir
Berglind Rögnvaldsdóttir (f.1985) ljósmyndari er fædd og uppalin í Reykjavík. Eftir útskrift frá Bilder Nordic school of Photography árið 2018 hefur Berglind tekið þátt í stórum listahátiðum í Noregi; Collective Fashion Art, Fushion Oslo, Nordic Light Festival og Oslo Negative. Hennar fyrsta einkasýning Grýla var í Fotografiens Hus, Oslo árið 2021. Berglind hefur mikið unnið með verk tengd konum og hvernig samfélagið kyngerir og hlutgerir þær. Verk hennar hafa ákveðið kvenlegt yfirbragð, og feminíska rödd. Einnig notar hún náttúruna sem myndlíkingu til að mæta kynjapólitík samtímans.
Berglind Rögnvaldsdóttir (f.1985) ljósmyndari er fædd og uppalin í Reykjavík. Eftir útskrift frá Bilder Nordic school of Photography árið 2018 hefur Berglind tekið þátt í stórum listahátiðum í Noregi; Collective Fashion Art, Fushion Oslo, Nordic Light Festival og Oslo Negative. Hennar fyrsta einkasýning Grýla var í Fotografiens Hus, Oslo árið 2021. Berglind hefur mikið unnið með verk tengd konum og hvernig samfélagið kyngerir og hlutgerir þær. Verk hennar hafa ákveðið kvenlegt yfirbragð, og feminíska rödd. Einnig notar hún náttúruna sem myndlíkingu til að mæta kynjapólitík samtímans.
Berglind Rögnvaldsdóttir (f.1985) ljósmyndari er fædd og uppalin í Reykjavík. Eftir útskrift frá Bilder Nordic school of Photography árið 2018 hefur Berglind tekið þátt í stórum listahátiðum í Noregi; Collective Fashion Art, Fushion Oslo, Nordic Light Festival og Oslo Negative. Hennar fyrsta einkasýning Grýla var í Fotografiens Hus, Oslo árið 2021. Berglind hefur mikið unnið með verk tengd konum og hvernig samfélagið kyngerir og hlutgerir þær. Verk hennar hafa ákveðið kvenlegt yfirbragð, og feminíska rödd. Einnig notar hún náttúruna sem myndlíkingu til að mæta kynjapólitík samtímans.
Berglind Rögnvaldsdóttir (f.1985) ljósmyndari er fædd og uppalin í Reykjavík. Eftir útskrift frá Bilder Nordic school of Photography árið 2018 hefur Berglind tekið þátt í stórum listahátiðum í Noregi; Collective Fashion Art, Fushion Oslo, Nordic Light Festival og Oslo Negative. Hennar fyrsta einkasýning Grýla var í Fotografiens Hus, Oslo árið 2021. Berglind hefur mikið unnið með verk tengd konum og hvernig samfélagið kyngerir og hlutgerir þær. Verk hennar hafa ákveðið kvenlegt yfirbragð, og feminíska rödd. Einnig notar hún náttúruna sem myndlíkingu til að mæta kynjapólitík samtímans.
Berglind Rögnvaldsdóttir (f.1985) ljósmyndari er fædd og uppalin í Reykjavík. Eftir útskrift frá Bilder Nordic school of Photography árið 2018 hefur Berglind tekið þátt í stórum listahátiðum í Noregi; Collective Fashion Art, Fushion Oslo, Nordic Light Festival og Oslo Negative. Hennar fyrsta einkasýning Grýla var í Fotografiens Hus, Oslo árið 2021. Berglind hefur mikið unnið með verk tengd konum og hvernig samfélagið kyngerir og hlutgerir þær. Verk hennar hafa ákveðið kvenlegt yfirbragð, og feminíska rödd. Einnig notar hún náttúruna sem myndlíkingu til að mæta kynjapólitík samtímans.
Berglind Rögnvaldsdóttir is a contemporary artist who works within photography. Berglind (b.1985, Reykjavik) was raised in Iceland. In 2018 Berglind graduated Bilder Nordic school of photography with a degree in photography and storytelling. Since graduating she has exhibited in big art festivals like: Collective Fashion Art, Fushion Oslo, Nordic Light festival and Oslo Negative. In 2020 Berglind was chosen for Create Magazine Womens Edition and in 2022 she won 1st price in Epal x Papercollective open competition for designer of the year. Berglind’s work is characterised by a feminine, sometimes dreamlike feel, usually informed by the female gaze approach. Her approach is very much centred around her journey, its a reflection of who she is at any given moment whilst experiencing and uncovering her own identity. Her works are often intended to challenge the way people encounter visual representation of women. Being a native Icelander she has a strong attachment and deeply rooted respect for nature, working directly with mother earth as a way to confront gender and sexuality politics, where it serves as a metaphor to the idea of what is natural.
Berglind Rögnvaldsdóttir is a contemporary artist who works within photography. Berglind (b.1985, Reykjavik) was raised in Iceland. In 2018 Berglind graduated Bilder Nordic school of photography with a degree in photography and storytelling. Since graduating she has exhibited in big art festivals like: Collective Fashion Art, Fushion Oslo, Nordic Light festival and Oslo Negative. In 2020 Berglind was chosen for Create Magazine Womens Edition and in 2022 she won 1st price in Epal x Papercollective open competition for designer of the year. Berglind’s work is characterised by a feminine, sometimes dreamlike feel, usually informed by the female gaze approach. Her approach is very much centred around her journey, its a reflection of who she is at any given moment whilst experiencing and uncovering her own identity. Her works are often intended to challenge the way people encounter visual representation of women. Being a native Icelander she has a strong attachment and deeply rooted respect for nature, working directly with mother earth as a way to confront gender and sexuality politics, where it serves as a metaphor to the idea of what is natural.
Berglind Rögnvaldsdóttir is a contemporary artist who works within photography. Berglind (b.1985, Reykjavik) was raised in Iceland. In 2018 Berglind graduated Bilder Nordic school of photography with a degree in photography and storytelling. Since graduating she has exhibited in big art festivals like: Collective Fashion Art, Fushion Oslo, Nordic Light festival and Oslo Negative. In 2020 Berglind was chosen for Create Magazine Womens Edition and in 2022 she won 1st price in Epal x Papercollective open competition for designer of the year. Berglind’s work is characterised by a feminine, sometimes dreamlike feel, usually informed by the female gaze approach. Her approach is very much centred around her journey, its a reflection of who she is at any given moment whilst experiencing and uncovering her own identity. Her works are often intended to challenge the way people encounter visual representation of women. Being a native Icelander she has a strong attachment and deeply rooted respect for nature, working directly with mother earth as a way to confront gender and sexuality politics, where it serves as a metaphor to the idea of what is natural.